All I could do was to offer you an opinion upon one minor point—a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved. I have shirked the duty of coming to a conclusion upon these two questions—women and fiction remain, so far as I am concerned, unsolved problems.
Penumbra de la paloma
llamaron los hebreos a la iniciación de la tarde
cuando la sombra no entropece los pasos
y la venida de la noche se advierte
como una música esperada y antiqua,
como un grato declive.
En esa hora en que la luz
tiene una finura de arena,
di con una calle ignorada,
abierta en noble anchura de terraza,
cuyas cornisas y paredes mostraban
colores tenues como el mismo cielo
que conmovía el fondo.
How beautiful the sun is on warm evenings! How deep space is! How powerful is the heart! Bending over you, queen of adored ones, I thought I breathed the perfume of your blood. How beautiful the sun is on warm evenings! ... I know the art of evoking happy moments, and live again my past curled up in your lap. For what is the good of seeking your languorous beauty elsewhere than in your dear body and in your so gentle heart? I know the art of evoking happy moments.
You see we all thought the ride would be lovely
and worth the trip, which it was, but now we cannot go anywhere
having already been everywhere. No, do you
understand how realistic it all is?
Hamlet: What a piece of work is a man, how noble in reason, how
infinite in faculties, in form and moving how express and
admirable, in action how like an angel, in apprehension how like
a god! the beauty of the world, the paragon of animals—and yet,
to me, what is this quintessence of dust? Man delights not me—
nor woman neither, though by your smiling you seem to say so.
Rosencrantz: My lord, there was no such stuff in my thoughts.
Fierce as a dog with tongue lapping for action, cunning
as a savage pitted against the wilderness,
Bareheaded,
Shoveling,
Wrecking,
Planning,
Building, breaking, rebuilding,
Under the smoke, dust all over his mouth, laughing with
white teeth,
Under the terrible burden of destiny laughing as a young
man laughs,
Laughing even as an ignorant fighter laughs who has
never lost a battle,
Bragging and laughing that under his wrist is the pulse.
and under his ribs the heart of the people,
Laughing!
Laughing the stormy, husky, brawling laughter of
Youth, half-naked, sweating, proud to be Hog
Butcher, Tool Maker, Stacker of Wheat, Player with
Railroads and Freight Handler to the Nation.
Parr slides a Sharpie from the pocket of his crisp blue shirt. He has a look a photographer would affect: bemused, unremarkable, with fleeting but deadly accurate awareness. The room is crowded and the dozens of pictures on the walls range across three decades of his career, sampling from the satirical eye that has made him perhaps the most controversial of the Magnum Agency’s members. [Cont'd.]
[Martin Parr appearance, Stephen Daiter Gallery, Franklin Street at Huron Street]
Sometimes I see something so moving I know I'm not supposed to linger. See it and leave. If you stay too long, you wear out the wordless shock. Love it and trust it and leave.
The little petit-larceny punk from Damen and Division and the dealer still got along like a couple playful pups... Their friendship had kindled on a winter night two years before Pearl Harbor when Sparrow had first drifted, with that lost year's first snow, out of a lightless, snow-banked alley onto a littered and lighted street.