Here I am, here I am waiting to hold you. Did I dream you dreamed about me? Were you here when I was full sail? Hear me sing: Swim to me, swim to me, let me enfold you. Here I am. Here I am, waiting to hold you
The path was narrow and wound here and there between the trees, but they could not lose their way, because thick vines and creepers shut them in on both sides. They had walked a long time when, suddenly turning a curve of the pathway, they came upon a lake of black water, so big and so deep that they were forced to stop.
Hear is not the right word. I became a telephone. Edith was the electrical conversation that went through me. —Well, what was it, what was it? —Machinery. —Machinery? —Ordinary eternal machinery. —And? —Ordinary eternal machinery. —Is that all you are going to say? —Ordinary eternal machinery like the grinding of the stars. —That’s better. —That was a distortion of the truth which, I see, suits you very well. I distorted the truth to make it easier for you. The truth is: ordinary eternal machinery.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.
You will hear thunder and remember me, And think: she wanted storms. The rim Of the sky will be the colour of hard crimson, And your heart, as it was then, will be on fire.
That day in Moscow, it will all come true, when, for the last time, I take my leave, And hasten to the heights that I have longed for, Leaving my shadow still to be with you.
As we know, There are known knowns. There are things we know we know. We also know There are known unknowns. That is to say We know there are some things We do not know. But there are also unknown unknowns, The ones we don’t know We don’t know.
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice, “without pictures or conversations?” So she was considering, in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her.
Dreams in the dusk, Only dreams closing the day And with the day’s close going back To the gray things, the dark things, The far, deep things of dreamland.
Dreams, only dreams in the dusk, Only the old remembered pictures Of lost days when the day’s loss Wrote in tears the heart’s loss.
Tears and loss and broken dreams May find your heart at dusk.
Today I ate a meal at a fancy restaurant. I like to do so that sometimes. It makes me feel like I'm part of the world. Makes me realize nothing is impossible.
Every time I read that someone has spoken badly of me, I begin to cry; I drag myself across the floor; I scratch myself; I stop writing indefinitely; I lose my appetite; I smoke less; I engage in sport; I go for walks on the edge of the sea—which, by the way, is less than 30 meters from my house—and I ask the seagulls, whose ancestors ate the fish who ate Ulysses: Why me? Why? I've done you no harm.
I do remember some things times when I listened and heard no one saying no, certain miraculous provisions of the much prayed for manna and once a man, it was two o’clock in the morning in Pittsburgh, Kansas, I finally coming home from the loveliest drunk of them all, a train chugged, goddamn, struggled across a prairie intersection and a man from the caboose real- ly waved, honestly, and said, and said something like my name.
By falling asleep, I fall inside myself: from my exhaustion, from my boredom, from my exhausted pleasure or from my exhausting pain. I fall inside my own satiety as well as my own vacuity: I myself become the abyss and the plunge, the density of deep water and the descent of the drowned body sinking backward. I fall to where I am no longer separated from the world by a demarcation that still belongs to me all though my waking state and that I myself am, just as I am my skin and all my sense organs. I pass that line of distinction, I slip entire into the innermost and outermost part of myself, erasing the division between these two putative regions.
It is a myth, the city, the rooms and windows, the steam-spitting streets; for anyone, everyone, a different myth, an idol-head with traffic-light eyes winking a tender green, a cynical red. This island, floating in river water like a diamond iceberg, call it New York, name it whatever you like; the name hardly matters because, entering from the greater reality of elsewhere, one is only in search of a city, a place to hide, to lose or discover oneself, to make a dream wherein you prove that perhaps after all you are not an ugly duckling, but wonderful, and worthy of love, as you thought sitting on the stoop where the Fords went by; as you thought planning your search for a city…
Korean culture dictates that when a person dies away from home, their spirit will remain unsettled and thereby become a ‘wandering ghost.’ The only way to save the spirit from eternal unrest and wandering is for the person who was last in contact with the body before it passed to participate in an ancient ritual to put the spirit at rest.
Next morning, in comes Farmer Bland, A pail of pigswill in his hand, And piggy with a mighty roar, Bashes the farmer to the floor… Now comes the rather grizzly bit So let's not make too much of it, Except that you must understand That Piggy did eat Farmer Bland, He ate him up from head to toe, Chewing the pieces nice and slow. It took an hour to reach the feet, Because there was so much to eat, And when he finished, Pig, of course, Felt absolutely no remorse. Slowly he scratched his brainy head And with a little smile he said, "I had a fairly powerful hunch "That he might have me for his lunch. "And so, because I feared the worst, "I thought I'd better eat him first.
Why keep on seeding the chairs When the future is night and no one knows what He wants? It would probably be best though To hang on to these words if only For the rhyme. Little enough, But later on, at the summit, it won't Matter so much that they fled like arrows From the taut string of a restrained Consciousness, only that they mattered. For the present, our not-knowing Delights them. Probably they won't be devoured By the lions, like the others, but be released After a certain time. Meanwhile, keep Careful count of the rows of windows overlooking The deep blue sky behind the factory: we'll need them.
"Litany," John Ashbery
[Hideout Inn, east of Elston Avenue above North Avenue.]
In its essence life is monotonous. Happiness therefore depends on a reasonably thorough adaptation to life’s monotony. By making ourselves monotonous, we make ourselves equal to life. Thus we live to the full. And living to the full is to be happy...It seems, at first glance, that new things are what give pleasure to the mind; but there aren’t many new things, and each one is new only once. Our sensibility, furthermore, is limited, and it doesn’t vibrate indefinitely. Too many new things will eventually get tiresome, since our sensibility can’t keep up with all the stimulations it receives.
Shhhh. Hissing. Shhhhhh. Purring, breathing deep in her belly. She pretended her voice was a man. I love you You're mine Eat your food. And I licked her hand all over, up and down between her fingers.
Cross-hatchings of rain against grey walls, Slant lines of black rain In front of the up and down, wet stone sides of buildings. Below, Greasy, shiny, black, horizontal, The street. And over it, umbrellas, Black polished dots Struck to white An instant, Stream in two flat lines Slipping past each other with the smoothness of oil.
She began to crave the physical flash of walking in and out of places, the temperature shock, the hot wind blowing outside, the heavy frigid air inside.
Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good.
They're both of them peevish tonight, whippy as sheets of glass improperly annealed, ready to go smash at any indefinite touch in a whining matrix of stresses—
Your numbers been purged from our central computer So we can rig the facts And sweep you under the rug See our chart? Unemployment’s going down If that ruins your life that’s your problem.